- Anatomy of Sound : Norman Corwin and Media Authorship (2016, Paperback) download book DJV, FB2, DOC
9780520285323 English 0520285328 This collection examines the work of Norman Corwin one of the most important, yet understudied, media authors of all time as a critical lens to view the history of multimedia authorship and sound production. Known as the poet laureate of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio s success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to soundwork, relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin s work from his World War II era poetry and his special projects for the United Nations to his path-breaking writing for film and television and its influence on media today, these essays underscore the political and social impact of Corwin s oeuvre and cement his reputation as a key writer in the history of many sound media.", This collection examines the work of Norman Corwin--one of the most important, yet understudied, media authors of all time--as a critical lens to view the history of multimedia authorship and sound production. Known as the "poet laureate" of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio's success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to "soundwork," relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin's work--from his World War II-era poetry and his special projects for the United Nations to his path-breaking writing for film and television--and its influence on media today, these essays underscore the political and social impact of Corwin's oeuvre and cement his reputation as a key writer in the history of many sound media., This collection of essays examines one of the most important, yet understudied, media authors of all time--Norman Corwin--using him as a critical lens to consider the history of multimedia authorship, particularly in the realm of sound. Known for seven decades as the "poet laureate" of radio, Corwin is most famous for his radio dramas, which reached tens of millions of listeners around the world and contributed to radio drama's success as a mass media form in the 1930s and 1940s. But Corwin was a pioneer in multiple media, including cinema, theater, TV, public service broadcasting, journalism, and even cantata. In each of these areas, Corwin had a distinctive approach to sonic aesthetics and mastery of multiple aspects of media production, relying in part on his inventive atmospheric effects in the studio both prerecorded, and, more impressively, live in real time. From the front lines of World War II to his role as Chief of Special Projects for United Nations Radio and his influence on media today, the political and social aspect of Corwin's work is woven into these essays. With a foreword by Michele Hilmes and contributions from Thomas Doherty, Mary Ann Watson, Shawn VanCour, David Ossman and others, this volume cements Corwin's reputation as perhaps the greatest writer in the history of radio, while also showing that his long career is a neglected model of multimedia authorship.
9780520285323 English 0520285328 This collection examines the work of Norman Corwin one of the most important, yet understudied, media authors of all time as a critical lens to view the history of multimedia authorship and sound production. Known as the poet laureate of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio s success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to soundwork, relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin s work from his World War II era poetry and his special projects for the United Nations to his path-breaking writing for film and television and its influence on media today, these essays underscore the political and social impact of Corwin s oeuvre and cement his reputation as a key writer in the history of many sound media.", This collection examines the work of Norman Corwin--one of the most important, yet understudied, media authors of all time--as a critical lens to view the history of multimedia authorship and sound production. Known as the "poet laureate" of radio, Corwin is most famous for his radio dramas, which reached millions of listeners around the world and contributed to radio's success as a mass media form in the 1930s and 1940s. But Corwin was also a pioneer in other fields, including cinema, theater, TV, and journalism. In each of these areas, he had a distinctive approach to "soundwork," relying on inventive prerecorded and live-in-real-time atmospheric effects in the studio, among other aesthetic techniques. Exploring the range of Corwin's work--from his World War II-era poetry and his special projects for the United Nations to his path-breaking writing for film and television--and its influence on media today, these essays underscore the political and social impact of Corwin's oeuvre and cement his reputation as a key writer in the history of many sound media., This collection of essays examines one of the most important, yet understudied, media authors of all time--Norman Corwin--using him as a critical lens to consider the history of multimedia authorship, particularly in the realm of sound. Known for seven decades as the "poet laureate" of radio, Corwin is most famous for his radio dramas, which reached tens of millions of listeners around the world and contributed to radio drama's success as a mass media form in the 1930s and 1940s. But Corwin was a pioneer in multiple media, including cinema, theater, TV, public service broadcasting, journalism, and even cantata. In each of these areas, Corwin had a distinctive approach to sonic aesthetics and mastery of multiple aspects of media production, relying in part on his inventive atmospheric effects in the studio both prerecorded, and, more impressively, live in real time. From the front lines of World War II to his role as Chief of Special Projects for United Nations Radio and his influence on media today, the political and social aspect of Corwin's work is woven into these essays. With a foreword by Michele Hilmes and contributions from Thomas Doherty, Mary Ann Watson, Shawn VanCour, David Ossman and others, this volume cements Corwin's reputation as perhaps the greatest writer in the history of radio, while also showing that his long career is a neglected model of multimedia authorship.